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I absolutely recommend using her, but only on maps where there isn’t much movement involved.Your IP address has been temporarily blocked due to a large number of HTTP requests. Her song magic also acts in contrast to her nature, as she doesn’t start with the offensive Song of Flames, instead starting with the attack boosting Song of Fury and critical up Cherry Blossom. It feels like the game wants you to have her sword sheathed drawn, though, as that’s the only way her passive Sword-Drawing Counter and Sword-Drawing Pre-Emptive Strike take effect. I especially like her sheathed sword attacks, the fire-based Flame Strike and neutral Sparrow Strike, but didn’t find as much use for the standard stance beyond positioning her in the field since only the non-elemental Flash Strike is available until her level gets into the 20’s. However, using ranged attacks to damage these chests allows you to keep all of your fighters, melee and ranged, engaged in battle. If she is immediately within range of an enemy, then she’s great. As such, the most obvious solution would be to run up and melee the chest into submission. Her range and skills depend on whether her sword is drawn or sheathed, and her stance is determined at the start of a turn before she moves. She’s set up as a primary attacker, but there are some movement issues there. Sakuya, the fire witch, is a little more challenging to use.
